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1. Citizen Kane (Welles) 大國民
Dazzlingly inventive, technically breathtaking, Citizen Kane reinvented the way stories could be told in the cinema, and set a standard generations of filmmakers have since aspired to. An absorbing account of a newspaper tycoon’s rise to power, Orson Welles’ debut film feels as fresh as tomorrow's headlines. And he was only 26 when he made it.

2. Vertigo (Hitchcock) 迷魂記
A gripping detective story or a delirious investigation into desire, grief and jealousy? Hitchcock had a genius for transforming genre pieces into vehicles for his own dark obsessions, and this 1958 masterpiece shows the director at his mesmerising best. And for James Stewart fans, it also boasts the star’s most compelling performance.

3. La Règle du jeu (Renoir) 遊戲規則
Tragedy and comedy effortlessly combine in Renoir’s country house ensemble drama. A group of aristocrats gather for some rural relaxation, a shooting party is arranged, downstairs the servants bicker about a new employee, while all the time husbands, wives, mistresses and lovers sweetly deceive one another and swap declarations of love like name cards at a dinner party.

4. The Godfather and The Godfather part II (Coppola) 教父1,2
Few films have portrayed the US immigrant experience quite so vividly as Coppola’s Godfather films, or exposed the contradictions of the American Dream quite so ruthlessly. And what a cast, formidable talent firing all cylinders: Brando, De Niro, Pacino, Keaton, Duvall, Caan. Now that’s an offer you can’t refuse.

5. Tokyo Story (Ozu) 東京物語
A poignant story of family relations and loss, Ozu’s subtle mood piece portrays the trip an elderly couple make to Tokyo to visit their grown-up children. The shooting style is elegantly minimal and formally reticent, and the film’s devastating emotional impact is drawn as much from what is unsaid and unshown as from what is revealed.

6. 2001: A Space Odyssey (Kubrick) 2001:太空漫遊
One of the most ambitious Hollywood movies ever made, 2001 crams into its two-hour plus running time a story that spans the prehistoric age to the beginning of the third millennium, and features some of the most hypnotically beautiful special effects work ever committed to film. After seeing this, you can never listen to Strauss’ Blue Danube without thinking space crafts waltzing against starry backdrops.

7. Battleship Potemkin (Eisenstein) 波坦金戰艦
Eisenstein's recreation of a mutiny by sailors of the battleship Potemkin in 1905 works as daring formal experiment - which pushed the expressive potential of film editing to its limit - and rousing propaganda for the masses. The Odessa Steps sequence remains one of the most memorable set-pieces in cinema.

7. Sunrise (Murnau) 日出
Having left his native Germany for the US, F.W. Murnau had all the resources of a major Hollywood studio at his disposal for this, his American debut. What he produced was a visually stunning film romance that ranks as one of the last hurrahs of the silent period.

9. 8½ (Fellini) 八又二分之一
Wonderfully freefloating, gleefully confusing reality and fantasy, 8½ provides a ringside seat into the ever active imaginative life of its director protagonist Guido, played by Fellini’s on-screen alter-ego Marcello Mastroianni. The definitive film about film-making - as much about the agonies of the creative process as the ecstasies - it’s no wonder the movie is so popular with directors.

9. Singin' In the Rain (Kelly, Donen) 萬花嬉春
Impossible to watch without a smile on your face, this affectionate tribute to the glory days of Hollywood in the 1920s is pleasure distilled into 102 minutes. With Gene Kelly dance sequences that take your breath away and a great score by Brown and Freed, this is the film musical at its best.

 

出自 original from BFI | Sight & Sound

 

All List

Rank

Title

Votes

1

Citizen Kane (Welles)

46

2

Vertigo (Hitchcock)

41

3

La Régle du jeu (Renoir)

30

4

The Godfather and The Godfather Part II(Coppola)

23

5

Tokyo Story (Ozu)

22

6

2001: A Space Odyssey (Kubrick)

21

7

Battleship Potemkin (Eisenstein)

19

7

Sunrise (Murnau)

19

9

 (Fellini)

18

10

Singin’ in the Rain (Kelly, Donen)

17

11

Seven Samurai (Kurosawa) 七武士

15

11

The Searchers (Ford) 搜索者

15

13

Rashomon (Kurosawa) 羅生門

14

14

The Passion of Joan of Arc (Dreyer) 聖女貞德受難記

12

15

A bout de souffle (Godard)

11

15

L’Atalante (Vigo)

11

15

The General (Keaton) 將軍號

11

15

Touch of Evil (Welles) 歷劫佳人

11

19

Au hasard Balthazar (Bresson)

10

19

Jules et Jim (Truffaut)

10

19

L’avventura (Antonioni)

10

22

Le Mépris (Godard)

9

22

Pather Panchali (Ray)

9

24

La dolce vita (Fellini) 生活的甜蜜

8

24

M (Lang)

8

24

The Story of the Late Chrysanthemums(Mizoguchi)

8

27

Barry Lyndon (Kubrick)

7

27

Les Enfants du paradis (Carné)

7

27

Ivan the Terrible (Eisenstein)

7

27

Man with a Movie Camera (Vertov)

7

27

Metropolis (Lang) 大都會

7

27

Some Like It Hot (Wilder) 熱情如火

7

27

Ugetsu Monogatari (Mizoguchi)

7

27

Wild Strawberries (Bergman) 野草莓

7

35

Andrei Roublev (Tarkovsky)

6

35

The 400 Blows (Truffaut) 四百擊

6

35

Fanny and Alexander (Bergman) 芬妮與亞歷山大

6

35

La Grande Illusion (Renoir)

6

35

The Magnificent Ambersons (Welles)

6

35

Modern Times (Chaplin)

6

35

Psycho (Hitchcock) 驚魂記

6

35

The Seventh Seal (Bergman)

6

35

Taxi Driver (Scorsese) 計程車司機

6

35

The Third Man (Reed)

6

45

Bicycle Thieves (De Sica) 單車失竊記

5

45

Blade Runner (Scott)

5

45

City Lights (Chaplin) 城市之光

5

45

Greed (von Stroheim) 貪婪

5

45

Intolerance (Griffith)

5

45

Lawrence of Arabia (Lean) 阿拉伯的勞倫斯

5

45

Letter from an Unknown Woman (Ophuls)

5

45

The Man Who Shot Liberty Valance (Ford)

5

45

Mirror (Tarkovsky) 鏡子

5

45

Ordet (Dreyer) 復活

5

45

Pierrot le fou (Godard) 狂人皮埃洛

5

45

Rio Bravo (Hawks)

5

45

Sansho Dayu (Mizoguchi)

5

45

Shoah (Lanzmann) 大屠殺

5

45

The Travelling Players (Angelopoulos)

5

45

Two or Three Things I Know about Her (Godard)

5

出自 original from BFI | Sight & Sound

 

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